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Je suis beau et intelligent. À part cela, je suis juriste helvète, libéral-conservateur, amateur d'armes, passionné d'histoire et de politique. Je suis libéral et capitaliste convaincu car je pense que c'est cela l'état naturel de l'homme. Je parle le "Schwiizerdütsch" avec un accent zurichois, j'adore la bonne musique, la bière et surtout la femme avec qui je vis.


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Monday, July 31, 2006

Qana: Hezbollywood?

After yesterday's tragedy, important questions remain unanswered: Was the death of dozens of innocents in Qana staged and has Hebzollah learned from the Palestinians' manipulation of the media and the public opinion? After "Pallywood", is there now "Hezbollywood" coming to theaters near you?

Via Freerepublic:
(...) [T]here was an unexplained 7 to 8 hour gap between the time of the helicopter strike and the building collapse. Brigadier General Amir Eshel, Head of the Air Force Headquarters, in a press briefing, told journalists that "the attack on the structure in the Qana village took place between midnight and one in the morning. The gap between the timing of the collapse of the building and the time of the strike on it is unclear."

(...) [Israeli Brigadier General] Eshel reported that as recently as two days ago, military intelligence reported the building area had been used by the terrorists for storage or firing of weapons. It was a bad place to cram dozens of women and children.

There are other mysteries. The roof of the building was intact. Journalist Ben Wedeman of CNN noted that there was a larger crater next to the building, but observed that the building appeared not to have collapsed as a result of the Israeli strike.

Why would the civilians who had supposedly taken shelter in the basement of the building not leave after the post-midnight attack? They just went back to sleep and had the bad luck to wait for the building to collapse in the morning?

What we do know is that sometime after dawn a call went hour to journalists and rescue workers to come to the scene. And come they did.

While Hezbollah and its apologists have been claiming that civilians could not freely flee the scene due to Israeli destruction of bridges and roads, the journalists and rescue teams from nearby Tyre had no problem getting there.

Lebanese rescue teams did not start evacuating the building until the morning and only after the camera crews came. The absence of a real rescue effort was explained by saying that equipment was lacking. There were no scenes of live or injured people being extracted.

There was little blood, CNN's Wedeman noted: all the victims, he concluded, appeared to have died while as they were sleeping -- sleeping, apparently, through thunderous Israeli air attacks. Rescue workers equipped with cameras were removing the bodies from the same opening in the collapsed structure. Journalists were not allowed near the collapsed building.

Rescue workers filmed as they went carried the victims on the stretchers, occasionally flipping up the blankets so that cameras could show the faces and bodies of the dead.

But Israelis steeled to scenes of carnage from Palestinian suicide bombings and Hezbollah rocket attack could not help but notice that these victims did not look like our victims. Their faces were ashen gray. Their limbs appeared to have stiffened, from rigor mortis. Neither were effects that would have resulted from an Israeli attack hours before. These were bodies that looked like they had been dead for days.

Viewers can judge for themselves.

But the accumulating evidence suggests another explanation for what happened at Kana.

The scenario would be a setup in which the time between the initial Israeli bombing near the building and morning reports of its collapse would have been used to "plant" bodies killed in previous fighting -- reports in previous days indicated that nearby Tyre was used as a temporary morgue -- place them in the basement, and then engineer a "controlled demolition" to fake another Israeli attack.

The well-documented use by Palestinians of this kind of faked footage -- from the alleged shooting of Mohammed Dura in Gaza, scenes from Jenin of "dead" victims falling off gurneys and then climbing back on -- have merited the creation of a new film genre called "Palliwood."

There is increasing evidence that the Kana sequel is another episode in this genre, a variety which might be called Hezbollywood. The Hezbollah have evidently learned their craft well.

The current suspension of Israeli military air activity is supposedly intended, among other things, to be used for the investigation of what really happened at Qana.

It is to be hoped that there are real journalists on the scene, and unbiased medical examiners, who will have the courage and intelligence to sort out the anomalies and contradictions, and get to the buried truth of what happened.(...)
I can only say, if the Israelis are to make an investigation about what really happened and what went wrong, they have to be granted access to the "crime scene". Otherwise, we would never know what really happenend. This would only confirm the existing doubts. This is in no one's interest (is it?).

(Hat tip: Gabrielle)

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